(11 quotes found)
“You're 5 feet nothing, a hundred and nothing,”
Charles Dutton
“What I learned as an actor was the only way you could really do August Wilson's work, you had to leave an ounce of your essence on that stage, ... Otherwise it was impossible.”
“Death ain't nothing but a fastball on the outside corner and you know what I'll do to that, ... Fences.”
“I want to think he made me a better person.”
“What's it about,' I asked, and he said, 'It's about a guy selling watermelons,' ... I said, 'You're gonna put a black man on stage selling watermelons?' And August said, 'He's trying to buy some land.”
“I left thinking August's lost his mind, ... When I read 'The Piano Lesson,' I realized it encompassed the entire African-American experience. August Wilson's legacy is as important as Martin Luther King's legacy, as important as Malcolm X's legacy and as important as Nat Turner.”
“When I read 'The Piano Lesson,' I realized it encompassed the entire African-American experience, ... August Wilson's legacy is as important as Martin Luther King's legacy, as important as Malcolm X's legacy and as important as Nat Turner.”
“Death ain't nothing but a fastball on the outside corner, and you know what I'll do to that, ... Fences.”
“You're 5 feet nothing, a hundred and nothing. And you've got hardly a speck of athletic ability ... In this lifetime, you don't have to prove nothing to nobody but yourself.”
“I re-read all the plays. I'm not sad. He was out of this world—so common, regular, ordinary, but capable of writing awesome poetry. If someone wants to understand what frustrations we felt in the 1950s read 'Fences.' To know about how Blacks were exploited in the music business read 'Ma Rainey.' All those things that teach us from centuries ago to the present are in the forefront of his words.”
